The scale of the project was unlike anything in a typical production pipeline. The content wraps entirely around the audience across a massive projection surface, meaning every element had to be designed and rendered with spatial awareness in mind rather than a standard screen format. Single-celled organisms multiply, ecosystems evolve, and audiences find themselves inside a rainforest or beneath the ocean, surrounded on all sides.

I was part of the design and animation team at Luke Halls Studio across a six-month production, contributing to multiple chapters of the experience through styleframing, design, animation and rendering.